Chapter 10

Upon signing out, I cast around for some place in the New England countryside or sleepy small town (elms, white church) where I could spend a studious summer subsisting on a compact boxful of notes I had accumulated and bathing in some nearby lake. My work had begun to interest me again--I mean my scholarly exertions; the other thing, my active participation in my uncle's posthumous perfumes, had by then been cut down to a minimum. One of his former employees, the scion of a distinguished family, suggested I spend a few months in the residence of his impoverished cousins, a Mr. McCoo, retired, and his wife, who wanted to let their upper story where a late aunt had delicately dwelt. He said they had two little daughters, one a baby, the other a girl of twelve, and a beautiful garden, not far from a beautiful lake, and I said it sounded fine.

I exchanged letters with these people, satisfying them I was housebroken, and spent a fantastic night on the train, imagining in detail the child I would coach in French and the wife I would caress in Humbertish. Nobody met me at the toy station where I alighted with my new expensive bag, and nobody answered the telephone; eventually, however, a distraught McCoo in wet clothes turned up at the only hotel of green-and-pink Ramsdale with the news that his house had just burned down. His family, he said, had fled to a farm he owned, and had taken the car, but a friend of his wife's, a grand person, Mrs. Haze of 342 Lawn Street, offered to accommodate me. A lady who lived opposite Mrs. Haze's had lent McCoo her limousine, a marvelously old-fashioned, square-topped affair, manned by a cheerful chauffeur.

The aforesaid arrangement seemed preposterous. Living and working among strangers? I could live and work anywhere. I was angry, disappointed and bored, but being a polite European, could not refuse to be sent off to Lawn Street in that funeral car, feeling that otherwise McCoo would devise an even more elaborate means of getting rid of me. I saw him scamper away, and my chauffeur shook his head with a soft chuckle. En route, I swore to myself I would not dream of staying in Ramsdale under any circumstance but would fly that very day to the Bermudas or the Bahamas or the Blazes. Possibilities of romantic sweetness on technicolor beaches had been trickling through my spine for some time before, and McCoo's cousin had, in fact, sharply diverted that train of thought with his well-meaning but inane suggestion.

Speaking of sharp turns: we almost ran over a meddlesome suburban dog (one of those who lie in wait for cars) as we swerved into Lawn Street. A little further, the Haze house, a white-frame horror, appeared, looking dingy and old, more gray than white--the kind of place you know will have a rubber tube affixable to the tub faucet in lieu of shower. I tipped the chauffeur and hoped he would immediately drive away so that I might double back unnoticed to my hotel and bag; but the man merely crossed to the other side of the street where an old lady was calling to him from her porch. What could I do? I pressed the bell button.

A maid let me in--and left me standing on the mat while she rushed back to the kitchen where something was burning that ought not to burn.

The front hall was graced with door chimes, a white-eyed wooden thingamabob of commercial Mexican origin, and that banal darling of the arty middle class, van Gogh's "Arlèsienne." A door ajar to the right afforded a glimpse of a living room, with some more Mexican trash in a corner cabinet and a striped sofa along the wall. There was a staircase at the end of the hallway, and as I stood mopping my brow (only now did I realize how hot it had been outdoors) and staring, to stare at something, at an old gray tennis ball that lay on an oak chest, there came from the upper landing the contralto voice of Mrs. Haze, who leaning over the banisters inquired melodiously, "Is that Monsieur Humbert?" A bit of cigarette ash dropped from there in addition. Presently, the lady herself--sandals, maroon slacks, yellow silk blouse, squarish face, in that order--came down the steps, her index finger still tapping upon her cigarette.

The poor lady was in her middle thirties, she had a shiny forehead, plucked eyebrows and quite simple but not unattractive features of a type that may be defined as a weak solution of Marlene Dietrich. Patting her bronze-brown bun, she led me into the parlor and we talked for a minute about the McCoo fire and the privilege of living in Ramsdale. Her very wide-set sea-green eyes had a funny way of traveling all over you, carefully avoiding your own eyes. Her smile was but a quizzical jerk of one eyebrow; and uncoiling herself from the sofa as she talked, she kept making spasmodic dashes at three ashtrays and the near fender (where lay the brown core of an apple); whereupon she would sink back again, one leg folded under her. She was, it seemed to me, one of those women whose polished words may reflect a book club or bridge club, or any other deadly conventionality, but never her soul; women who are completely devoid of humor; women utterly indifferent at heart to the dozen or so possible subjects of a parlor conversation, but very particular about the rules of such conversations, through the sunny cellophane of which not very appetizing frustrations can be readily distinguished. I was perfectly aware that if by any wild chance I became her lodger, she would methodically proceed to do in regard to me what taking a lodger probably meant to her all along, and I would again be enmeshed in one of those tedious affairs I knew so well.

But there was no question of my settling there. I could not be happy in that type of household with bedraggled magazines on every chair and a kind of horrible hybridization between the comedy of so-called "functional modern furniture" and the tragedy of decrepit rockers and rickety lamp tables with dead lamps. I was led upstairs, and to the left--into "my" room. I inspected it through the mist of my utter rejection of it; but I did discern above the bed Renè Prinet's "Kreutzer Sonata." And she called that servant maid's room a "semi-studio"! Let's get out of here at once, I firmly said to myself as I pretended to deliberate over the absurdly, and ominously, low price that my wistful hostess was asking for board and bed.

Old-world politeness, however, obliged me to go on with the ordeal. We crossed the landing to the right side of the house (where "I and Lo have our rooms"--Lo being presumably the maid), and the lodger-lover could hardly conceal a shudder when he, a very fastidious male, was granted a preview of the only bathroom, a tiny oblong between the landing and "Lo's" room, with limp wet things overhanging the dubious tub (the question mark of a hair inside); and there were the expected coils of the rubber snake, and its complement--a pinkish cozy, coyly covering the toilet lid.

"I see you are not too favorably impressed," said the lady letting her hand rest for a moment upon my sleeve: she combined a cool forwardness--the overflow of what I think is called "poise"--with a shyness and sadness that caused her detached way of selecting her words to seem as unnatural as the intonation of a professor of speech. "This is not a neat household, I confess," the doomed ear continued, "but I assure you [she looked at my lips], you will be very comfortable, very comfortable, indeed. Let me show you the garden" (the last more brightly, with a kind of winsome toss of the voice).

Reluctantly I followed her downstairs again; then through the kitchen at the end of the hall, on the right side of the house--the side where also the dining room and the parlor were (under "my" room, on the left, there was nothing but a garage). In the kitchen, the maid, a plump youngish woman, said, as she took her large glossy black purse from the knob of the door leading to the back porch: "I'll go now, Mrs. Haze." "Yes, Louise," answered Mrs. Haze with a sigh. "I'll settle with you Friday."

We passed on to a small pantry and entered the dining room, parallel to the parlor we had already admired. I noticed a white sock on the floor. With a deprecatory grunt, Mrs. Haze stooped without stopping and threw it into a closet next to the pantry. We cursorily inspected a mahogany table with a fruit vase in the middle, containing nothing but the still glistening stone of one plum. I groped for the timetable I had in my pocket and surreptitiously fished it out to look as soon as possible for a train. I was still walking behind Mrs. Haze though the dining room when, beyond it, there came a sudden burst of greenery--the piazza, so lush and extraordinary, the most beautiful part of the house saved for last. I could not stop myself from musing, “On a porch like this, work would not feel like work at all.”

And then, without the least warning, a blue sea-wave swelled under my heart and, from a mat in a pool of sun, kneeling, turning about on her knees, there was my dear Lolita peering at me over dark glasses. I felt then a stab of paternal affection for the child like none I had felt before. Everything about her, from her unruly chestnut head of hair to the polka-dotted black kerchief tied around her chest to the twinkling smirk her sunglasses could not hide, pointed to a kind of transparent insolence that the only child of a single parent is bound to adopt for her own survival. I felt pity, yes, but purpose as well.

I have no illusions, however. My judges will regard all this as a piece of bad acting on the part of a madman with a thirst for murder and, really, I don’t care. All I know is that while the Haze woman and I went down the steps into the breathless garden, I felt such a surge of protective love for the child that I would have killed for her, even then, before we had met.

"That was my Lo," Charlotte said, "and these are my lilies."

"Yes," I said, "They are beautiful."